In the previous two databases, we have examined Andersson's virtuosity in rook endings and in knight versus bishop in minor piece endings. We conclude this series with some general aspects regarding Ulf's endgame technique. The material is divided into the following categories:
1) Simplifying to a better ending
2) Domination
3) Playing on two wings
4) Endings arising after exchange or queen sacrifices
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In the second database on Andersson's endgame mastery, GM Mihail Marin deals with the battle of minor pieces. Of course, the author does not limit his survey only to pure minor piece endings. In this database, he also explains how bishops and knights cooperate with major pieces.
The database consists of 15 extensively annotated games and 30 interactive tests.
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If we think of endgame specialists from the late phase of the classical age, one of the first names coming up to mind is Ulf Andersson. Apart from his exquisite endgame technique and ability to squeeze a win apparently out of nothing, what impresses me is Ulf's general approach. He rarely strives for an advantage out of the opening or early middlegame, preferring to play long games in which the balance is disturbed at a late stage, typically in the phase of simplification to the endgame, or even deep in the endgame already. But once he has obtained an advantage (be it winning, minimal or symbolic) Andersson's play becomes a mixture of patient maneuvering, aimed at tiring the opponent, and flexibility accompanied by concreteness. He can change the setup or main plan according to the most subtle details, many of them revealed only after thorough analysis.
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