The Sicilian Kan - Repertoire for Black 


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Content  (19 Articles)

Introduction and Free Preview  Free
  • Chapter 1 - 5.c4 Nf6 6.Nc3 Qc7 7.Be2 Bb4 8.0-0  Closed
  • Chapter 2 - 5.c4 Nf6 6.Nc3 Qc7 7.Be2 Bb4 8.0-0 0-0 9.Qd3  Closed
  • Chapter 3 - 5.c4 Nf6 6.Nc3 Qc7 7.Be2 Bb4 8.f3  Closed
  • Chapter 4 - 5.c4 Nf6 6.Nc3 Qc7 7.Be2 Bb4 8.Nc2  Closed
  • Chapter 5 - 5.c4 Nf6 6.Nc3 Qc7 7.Be2 Bb4 8.Qd3  Closed
  • Chapter 6 - 7.a3 (plans with Rac1)  Closed
  • Chapter 7 - 7.a3 (plans with Rac1 and Rfd1)  Closed
  • Chapter 8 - 7.a3 (plans with Rfd1)  Closed
  • Chapter 9 - 5.Bd3 Ne7 6.0-0 Nbc6 7.Nb3 g6 8.c4  Closed
  • Chapter 10 - 5.Bd3 Ne7 6.0-0 Nbc6 7.Nb3 g6 8.Nc3  Closed
  • Chapter 11 - 7.Be3 & 7.c3  Closed
  • Chapter 12 - 5.Bd3 Ne7 6.0-0 Nec6  Closed
  • Chapter 13 - 5.Nc3 b5 6.g3 (sidelines for Black)  Closed
  • Chapter 14 - 5.Nc3 b5 6.g3 (Main Line)  Closed
  • Chapter 15 - 5.Nc3 b5 6.Be2  Closed
  • Chapter 16 - 5.Be2  Closed
  • Chapter 17 - 5.Nc3 b5 6.Bd3  Closed
  • Test Section  Closed
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    The Sicilian Kan - Repertoire for Black


    Preview by the Author

    The Paulsen Sicilian, also known as Kan variation is one of the most practical options for Black against 1.e4. A perfect mix between the Scheveningen – Taimanov – Hedgehog schemes that allows you to play a fighting game without many forced lines. Many strong grandmasters have employed it regularly and achieved great success with it, Lajos Portisch, Ilya Smirin, Vadim Milov just to name a few. Not just that, champions like Carlsen and Kramnik have played it successfully as well.

    The main incentive to play the Sicilian Kan is to take your opponents into a battle where talent and creativity overweight memory. 

    I have played the Paulsen Variation for a long time against all kind of opposition, from Grandmasters to club players and I must say overall this variation has served me well.

    I present this database/repertoire in which you can learn old and new ideas but most importantly add a new weapon to your arsenal against 1.e4.

    The Structure of the Database

    The main position of the variation arises after the moves 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nd4 a6


    After this move White has three main possibilities. He can play 5.c4, 5.Bd3, and 5.Nc3. The latter move offers White a wider range of options later on.

    Chapters 1 to 8 of the database are dedicated to the move 5.c4. I have advocated the hedgehog system against this move. I know theoretically, it is considered slightly inferior. Nevertheless, Black has enough chances for counterplay and I believe such positions always favor the player who understands them better.

    The variation goes 5.c4 Nf6 6.Nc3 Qc7


    This position is an important crossroads for White. At this point, I deal with two main options - the fashionable 7.Be2!? and the classical 7.a3.

    Let's first take a look at 7.Be2!?.


    This move is the latest trend nowadays and certainly, it is a strong move. I recommend the continuation 7…Bb4 after which white has several options again:


    In Chapter 1, I demonstrate why I think that after 8.0-0 0-0 is best, although 8...Bxc3!? 9.bxc3 d6 has also been tried a few times and it seems to be a valid alternative. Here we focus on the moves 9.Bg5 and 9.f3 which could also transpose to the 8.f3 line (Chapter 3). The other main move 9.Qd3 is covered in Chapter 2.

    As mentioned, we discuss 8.f3 in Chapter 3. My recommendation is to aim for the typical hedgehog set-up after 8...0-0 9.0-0 b6.

    Fischer tried 8.Nc2!? against Portisch in 1962 and it is starting to become popular again as of late.  In Chapter 4, we discuss why we should be satisfied with having forced White to retreat his knight to c2 by simply dropping our bishop back with 8...Be7!? instead of the alternative 8...Bxc3.

    Frankly, the move 8.Qd3 does not have much independent value as it is likely to transpose to lines covered in the other chapters. However, the game 0-1  Szuk,B (2416)-Korneev,O (2623) Hungary 2008 is worth your attention and I analyze it in Chapter 5.

    Later on, I start dealing with the classical 7.a3


    This has been the main line for a long time and it leads to hedgehog positions after Black continues with 7…b6 8.Be3 Bb7 9.f3


    In Chapters 6-8 you will find the main ideas for Black against White’s most popular plans. The key difference is the position of White’s rooks.

    In Chapter 6, we will discuss the plans that include White’s move Rac1. After 9.f3 d6 10.Be2 Be7 11.0-0 0-0 “is preferable in my opinion.


    The reason is that with the rook on a1, White has the extra option of playing a4. So as a rule of thumb, wait for White to move his a1 rook before developing the knight.” 12.a4 can be met by Nc6 13.Rc1 Nxd4 14.Qxd4 Nd7=

    In chapter 7 I will show you two games by GM Walter Arencibia Rodriguez with the key move 15.Rfd1 which can arise from a variety of different move orders.


    This games illustrates the typical ideas you should know in positions where White choses the squares d1 and c1 for his rooks.

    Another alternative for White to place his rooks is to develop the f1-rook to c1. After 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 a6 5.c4 Nf6 6.Nc3 Qc7 7.a3 b6 8.Be3 Bb7 9.f3 d6 10.Qd2 Be7 11.Be2 0-0 12.0-0 Nbd7 13.Rfc1 Rac8 14.a4!?, we reach a very important position which is typical for the Hedgehog.


    In this position,

    I advocate the move 14...a5. Like I explain in Chapter 8,  “This is a major concession for Black. He voluntarily surrenders the square b5, however it also has some advantages. First of all, he blocks the queenside so there won't be any pawn-storm in the future, second he guarantees the square c5 for the knight which exerts pressure on White's queenside.”

    Chapters 9 to 12 cover the move 5.Bd3


    Against this move I have chosen the line 5…Ne7!?.


    A move that I have played myself from time to time. The idea is quite interesting and it is meant to take your opponents into an obscure territory. After 5…Ne7, Black can continue with Nbc6 or Nec6, they are similar but not the same. I have analyzed both in order to provide you with more than one choice. The ideas with Nbc6 involve a kingside fianchetto which is unusual in the Sicilians with e6 but it is perfectly playable. One of the main lines goes like this: 5…Ne7 6.0-0 Nbc6 7.Nb3 g6 8.c4 Bg7 9.Nc3 0-0


    The game is quite interesting here. Black’s ideas are to play f7-f5, d7-d5 or b7-b5 sometimes a combination of two of them it shows in the analysis of the game Jakovenko,D-Artemiev,V which you will find deeply analyzed in Chapter 9.

    In chapter 10, I cover the move 8.Nc3 when White does not enter the Maroczy-bind structures with pawns on e4 and c4.


    As I explain, “this is a logical development and probably more dangerous than you might think. White doesn't waste any time with c4 and plans to exploit the somewhat weak dark squares immediately by means of g5-d2 etc. The theory of this line is not very developed yet, so I hope to see more of these positions in the future. There is plenty of room for creativity at the moment.”

    The move 7.Be3 does not create many problems for Black. However, 7.c3!? is underrated and it can create serious problems.


    I analyze the moves 7...g6, 7...Ne5, 7...Ng6, and finally, 7...d5 in Chapter 11.

    I also analyze in Chapter 12 the move 6…Nec6 which could transpose to 6…Nbc6 but not necessarily.


    An interesting move order to mix things up. Black threatens 7…Nxd4 followed by 8…Nc6 In case White retreats the knight then d6 and Nd7 will lead to a normal Sicilian position.

    Finally, we reach the final chapters of this database in which I cover White’s move 5.Nc3. I have always played 5…Qc7 against this move, which is considered the Main Line. However, for this repertoire I propose a different line -



    Gata Kamsky style. This move leads to interesting play and it’s very much in the spirit of the Paulsen. The positions are always murky with chances for counterplay.

    After 5…b5, White can play 6.g3, 6.Be2 and 6.Bd3. I analyzed each one of these in depth on separated chapters.

    Chapter 13 is dedicated to 6.g3


    The critical position arises after 6…Bb7 7.Bg2


    And now I have analyzed three ways to continue depending on the situation of the game and the type of opponent you are playing. Two side lines for Black that can be interesting especially in rapid games which are 7…h5!? and 7…Ne7!?.

    Chapter 14 deals with our main line against 6.g3 - 6…Bb7 7.Bg2 Nf6 8.0-0 b4


    Theoretically, this is a dangerous line for Black but it seems to me that he is doing fine if he remembers the right moves. The line continues with 9.Na4 Bxe4 10.Bxe4 Nxe4 11.Re1 and now 11…Nc5! Is my recommendation.


    This is the most precise move since 11...d5 gives White a strong initiative after 12.c4!.

    Chapter 15 is dedicated to 6.Be2


    This is not a particularly dangerous move but again it demands precise play from Black. A critical line is : 6…Bb7 7.0-0 b4 8.Na4 Bxe4 9.Bf3


    Black then continues with 9…Nf6 with complications that are deeply analyzed in the chapter.

    Chapter 16 is very similar to Chapter 15. I analyze the variation with Be2 but on a move earlier, without Nc3 - 5.Be2


    This move order is more problematic for Black. I advocate the move 5…b5 and the chapter is mostly focused on the direct attempt to refute Black’s move with 6.a4. In response to 6.a4, I suggest 6...b4


     The last Chapter 17 is fully dedicated to the move 6.Bd3



     We continue with 6…Bb7 7.0-0 Nc6. Among the strongest players to play this way we can find Gata Kamsky. The main line continues 8.Nxc6 Bxc6 9.Re1


    And here I have considered 9…Bc5 (the main move) and 9….Qb8 which are both acceptable for Black. 9...Bc5 is the more solid option as Black intends to finish his development by means of Ne7.

    Throughout the whole repertoire, you will find options for Black (whenever is possible) inside the repertoire to give you more than just one line to play.

    In general, this repertoire is for those players who want to have a fighting weapon against 1.e4 but I would also recommend it for those who want to start up in the Sicilian. I have nothing left to write but to wish you good luck with the Sicilian Kan!



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