Courses (357)

For the better part of a century, the Rubinstein Variation (4.e3) has been White's most trusted answer to the Nimzo-Indian, and for one reason above all: it commits to nothing. The knight stays home on g1, waiting to choose between f3 and e2 until Black has shown his hand.
GM Alexey Dreev's answer is to out-wait the waiting move. At the heart of this repertoire sits a single, unassuming rook move — 5...Re8 — that hands the burden of commitment straight back to White. If the knight steps to f3, Black replies ...d6 and prepares the ...e5 break; if it goes to e2, Black switches to ...d5, where the e2-knight is awkwardly placed. Whichever square White picks turns out to be the wrong one. That is the "reload": an old main line given a new life, driven by move-order rather than memorization.

For most of the Carlsbad's history, the conversation began from a single assumption: Black answers 3.Nc3 with 3...Nf6, and the familiar Exchange structure follows. That assumption no longer holds. In around half of today's games, Black sidesteps the automatic knight move and reaches instead for a different order — the Triangle, an early ...a6, a Ragozin-style ...Bb4, the fashionable ...h6, or a direct ...c5. Carlsbad Structure for White – Part 4 by GM Pier Luigi Basso is built around exactly this shift, completing the repertoire against everything Black plays instead of 3...Nf6.

Classical theory treated an early rook-pawn move as a small concession — a tempo spent on nothing while the real pieces waited. The engine age has quietly overturned that verdict. Again and again, a flexible waiting move has proven worth more than a routine developing one, and today's practice is full of early …h6 and …a6 ideas an older generation would have dismissed as slow.
4…h6 in the Queen's Gambit Declined is a clean expression of that shift. After 1.d4 Nf6 2.c4 e6 3.Nf3 d5 4.Nc3 h6, Black spends a move to deny White the g5-square — and with it, the whole theoretical forest that grows around the Bg5 pin.

There is no shortage of repertoires against the London System. What there has never been is seven of them, side by side, produced independently by strong players who did not know what the others were writing.
That is what the Modern Chess Autumn Challenge produces, and this database is the result of its first stage. Each of the seven participants was handed the same two problems — a repertoire for Black against the Classical London (1.d4 d5 2.Nf3 Nf6 3.Bf4) and against the Jobava London (1.d4 d5 2.Nc3 Nf6 3.Bf4) — and each solved them their own way.
Fourteen recommendations. No two alike.

When the strongest players in the world want a defense to 1.d4 that holds up under preparation, they keep returning to the Semi-Slav. Kramnik built much of his elite career around it, Anand leaned on it through a World Championship match, and Carlsen has reached for it across dozens of games. It has earned its reputation as one of the most reliable answers to the Queen's Gambit — solid enough to trust, yet rich enough to play for a win.
In his new course, GM Harshit Raja sets out to package that heritage into something you can keep for life: a complete, top-level repertoire built around 1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3 e6. The goal he states from the start is a lifetime repertoire — one set of answers, studied once and trusted for the rest of your career, rather than a collection of lines you patch and replace season to season.

Few openings demand as much theory as the Semi-Slav. Its sharpest lines are long and forcing, where a single forgotten move can decide the game before it has really started.
But theory always runs out. Sooner or later the forcing sequence closes, both players are on their own, and what remains is a structure, a pawn break, and a plan.
That is where most Semi-Slav games are actually decided, and it is the subject of GM Harshit Raja's new course, Semi-Slav Strategy: Structures, Breaks & Counterplay.

Few sidelines have reshaped everyday 1.d4 play over the past decade like the Jobava London — 1.d4 Nf6 2.Nc3 followed by 3.Bf4. Baadur Jobava did more than anyone to bring it into serious practice, which makes him an unusually credible guide to taking it apart. Here he does exactly that, showing Black how to defuse a system he understands from the inside.
That gesture sets the tone for the whole course. King's Indian Defense: A Complete Repertoire – Part 6 is the volume where GM Andrea Stella and GM Baadur Jobava turn to everything White plays instead of a real King's Indian — the sidelines designed to sidestep the fight rather than enter it.

When a player needs a win with the black pieces against 1.d4, the Modern Benoni has answered that call for the better part of a century. Tal, Fischer, Kasparov, Topalov — the names attached to it read like a roll call of champions who refused to settle for a draw.
What united them was not a taste for risk but an understanding of a bargain. Black hands White a broad pawn center and a space advantage, and takes in return active piece play, lasting pressure down the queenside, and counterplay in the center and on the kingside.
That bargain is the whole idea of the opening, and it is where this course takes its name. Counterplay Without Compromise describes a defense that concedes something real about the structure without ever conceding the initiative.

There is a particular satisfaction in playing your opponent's own setup back at them, a tempo up. Part 4 pushes that idea into lines where White takes up structures that usually belong to the defender, with the extra move already in hand.
Two examples run through the volume. One is the Pirc structure, where Black answers with ...g6, ...Bg7 and later ...e5. The other is the ...d5/...Nc6/...Bf5 treatment that Baadur Jobava has long recommended for Black — reached here after 1.Nf3 d5 2.g3 Nc6 3.d4 Bf5, a Jobava London with colors reversed.
After 1.Nf3 d5 2.g3 g6 3.Bg2 Bg7 4.O-O e5 5.d3, Stella observes that the position is almost a Reversed Pirc. Black is objectively fine, but the extra move changes the practical picture, and the authors have found fresh ideas to pose problems exactly where theory promises Black an easy life.

After 1.d4 Nf6 2.Nf3 e6, most White players face a choice they have made a hundred times: play 3.c4 and step into the vast, well-mapped territory of the Queen's Gambit and the Nimzo-Indian, where the opponent's preparation is usually waiting. This course is built on a different third move. With 3.Bg5 — the Torre Attack — White sets the strategic agenda at once, sidesteps the heavily prepared mainstream, and steers the game into positions where understanding decides far more than memorisation.